Slow cinema with [Subject] in a single unbroken composition, the camera absolutely still observing with infinite patience, the only movement gradual shifting of natural light, duration itself becoming the subject, natural overcast daylight providing soft even illumination, the Tarkovsky-Bela Tarr discipline of trusting that observation is enough, that the passage of real time is cinema's most radical subject
DIRECTOR INFLUENCE
Roger Deakins ASC BSC
OPTICS & LENS
35mm Anamorphic T1.9
LIGHTING RATIO
Chiaroscuro / Hard Rim
● UNIVERSAL PROMPT FORMULA
Slow cinema with [Subject] in a single unbroken composition, the camera absolutely still observing with infinite patience, the only movement gradual shifting of natural light, duration itself becoming the subject, natural overcast daylight providing soft even illumination, the Tarkovsky-Bela Tarr discipline of trusting that observation is enough, that the passage of real time is cinema's most radical subject
